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Theatres of Conflict: A Conversation with Susannah Tresilian of Project ARIADNE

2015/11/20 — 11:38

【Text by David Maclean】

"Because we all learn from role models, and these are women who are worth following and learning from and who are eager to pass that on."

Project ARIADNE is a revolutionary global arts movement promoting woman-led theatre in current and former zones of conflict. Their mission statement is to provide a stage to women across the world making theatre either because of the wars they have lived through, or in spite of them.

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Susannah Tresilian is a founding member of the project and its current Artistic Director, collaborating with theatre-makers around the world, including Hope Azeda (Rwanda), Dijana Milosevic (Serbia), Frédérique Lecomte (Burundi), Iman Aoun (Palestine), Patricia Ariza (Colombia) and Ruwanthie de Chickera (Sri Lanka).

Her corpus of work focuses predominantly on the promotion of gender equity within international theatre. Recently, her work has seen her collaborating with the Belarus Free Theatre in London and Minsk on Soul Power: The Opera. The Belarus Free Theatre is an underground theatre troupe banned in their home country by the presiding Lukashenko regime, often described as the last dictatorship in Europe. The artistic directors of the group are currently in political exile in London, and are residents of the Young Vic Theatre. The Arts Council offers a bursary for actors and theatre-makers to travel to Minsk and work with the troupe in lieu of their exiled members. Tresillian is covertly working with them, enabling other actors and theatre-makers such as Jude Law, Michael Attenborough, and Sam West to make the journey.

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